Wednesday, February 21, 2007

#52

Because the truth is, we’re living in frontier country right now. We can take guesses at the future, but it’s hard to gauge the effects of a drug while you’re still taking it. What happens when a person who has archived her teens grows up? Will she regret her earlier decisions, or will she love the sturdy bridge she’s built to her younger self—not to mention the access to the past lives of friends, enemies, romantic partners? On a more pragmatic level, what does this do when you apply for a job or meet the person you’re going to marry? Will employers simply accept that everyone has a few videos of themselves trying to read the Bible while stoned? Will your kids watch those stoner Bible videos when they’re 16? Is there a point in the aging process when a person will want to pull back that curtain—or will the MySpace crowd maintain these flexible, cheerfully thick-skinned personae all the way into the nursing home?

Say Anything

#51

Brazil is one of the great political films, an extraordinary mixture of Fellini and Kafka, with a complex force of synthesized images, which belongs to Gilliam alone. A meek, distinctly nonglamorous secretary is taking dictation through earphones. She types up everything she hears in the next room. In the course of time, the viewer of the film deduces that she is compiling an endless transcript of what a victim is saying in a torture chamber. Even if he screams it, she types it up as if he has merely said it. She herself says nothing, and her face betrays no emotion as the words quietly take form. Her boss, the torturer, is played by Michael Palin in the full, sweet spate of his bland niceness. This is the ne plus ultra of torture as an everyday activity. The torture surgery contributes one of the most brain-curdling of the film's many disturbing themes (still revealing their subtleties on a third and fourth viewing). The suggestion seems to be that a torturer need be no more sinister than your doctor. That's the picture we take away. But how true is the picture?

What Brazil Tell Us About Torture